The birth of Mordred, son of Roland and Susannah, but more a minion of horror, is born. Whatever question I had about how he might turn out is quickly determined. His evil is not brought about by conditioning from the minions of Hell, but rather he is already a demon already. I recall how Sin gave birth to her child: it clawed its way through her belly. I had thought maybe something like that was in store for the Mia/Detta/Susannah collective that are the personality complex of this character.
When Mia gives her breast to Modred (perhaps to be renamed later, or not), he shows what he truly is. His belly has a crimson brand like the belly of a black widow spider. Its darkest nature is eloquently portrayed by King in one of his divine (perhaps Satanic) displays of narrative poetry as Mia nurses her baby:
Blood had begun to pour fro her breast (where the baby had fed). The baby drank it like milk, losing not a drop... She (Mia) reached out and stroked the still-changing freak at her breast, the black spider with the tiny human head... Her cheeks and brow and throat, flushed dark with the exertions of childbirth only a moment before, faded to the waxy whiteness of orchid petals.At this point, now, I am just over half way done this seventh volume. Main characters are dying. One, Eddie the junkie, dies from carelessness. Another, Jake the kid Chambers, dies saving Stephen King's life. While the books are fairly well written, I didn't find any hardness in my throat or tears for the characters. Despite 'knowing' them for such a long time, I guess I never really got into them emotionally. Their deaths, in particular, Jake's, are well played and the death scenes are well done. But, for whatever reason, the emotional connection just isn't there: a touch closer to the boy, but still the distance between characters and reader (at least for me) is too distant to feel the strength of empathy of character required. When's the last time a book made me cry? I can't really recall. So, maybe it's just me being hard hearted ('may it do ya fine,' King might add).
King's involvement in the story is probably one of the more interesting facets of this tale. His involvement has grown considerably, and the involvement in King's life of the characters has grown as well. As mentioned, Jake's sacrifice is what keeps the van from ending Stephen King and The Dark Tower series. Whether he is the creator of this world or not--the book says not, he's just a medium of 'Dan-tet,' a kind of fate or an oracle--however, if his telling of the story was of no importance to the development of this imaginary world, why would his life really matter (to this imaginary world)? The oracle doesn't make fate, does it? It merely provides a riddle which becomes unraveled throughout the telling.
An aspect of King's involvement in the story that is interesting is how candid he is in self description. He avoids writing The Dark Tower series because of fear. But it's also revealed that all of his books are in some way related to it, some more, some less.
At this point, I have finished the end of The Dark Tower. Originally, I think King meant for the tale to end here. Of course there is an eighth book (there should be 19 books in all...) The last book was pretty good. Everyone except Roland and his new buddy die in the end. But, Susannah manages to escape her own fate: she abandons the quest for the dark tower just before they come to it, and, unless book 8 yanks her happy ending away, she's reunited with another world's version of Eddie and Jake (who are now brothers and have been waiting for her).
For Roland, the ending isn't nearly so kind. He refers to ka so much in the book (King's word for fate). There is often talk about worlds that only go forwards whose timelines cannot be repeated. However, Roland is forced back in time to redo his adventure from the point where volume one begins: Roland hunting down Walter to avenge his part in destroying Roland's family and friends.
Maybe this was what drove his antagonist mad: the constant repetition of a hard struggle. Maybe this was why he was working so hard to destroy the dark tower and these beams of existence or creation.
King has been given a fun series to read. Earlier books had a certain poetry (sometimes feeling forced, at others natural and brilliant), middle books trudged through a morass of words, but the last two books were well written with book seven being the highlight at the end of the tunnel. I will get to book eight soon enough, but, since I read somewhere that it really belonged past the middle but before the end, I don't feel that same sense of needing to read it. There are so many books to read, so little time.
I'm thinking The Stand is next, or perhaps it'll be book eight after all.
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